Boss RE-202 Space Echo Digital Delay Pedal

A Masterpiece Returns in the Modern Era - The Boss RE-202 Space Echo Digital Delay Pedal

Introduced in 1974, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units ever produced. This tape-based classic remained in production for over 14 straight years, and its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks still inspire musicians, producers, and audio mixers over four decades on.

• Authentically recreates the sound and behavior of the legendary Roland RE-201 Space Echo
• Classic multi-head tape echo sound with expanded delay time
• Original three-head configuration plus additional tape head for 12 unique echo combinations
• Independent stereo reverb section with original spring reverb type plus hall, plate, room, and ambience
• Saturation control for adding magnetic tape compression and preamp coloration
• Wow & Flutter control for introducing varying levels of natural tape modulation
• Choose between new and aged tape conditions
• Selectable input modes for optimum performance with instruments and line-level gear
• Warp and Twist effects with footswitch control
• Select between the unprocessed analog dry signal or the modeled sound of the original Space Echo preamp
• Four onboard memories plus the current panel settings
• Save and select 127 memories via external MIDI program change
• Tap tempo and carryover functions
• True stereo input and output
• Expandable control via external footswitches, an expression pedal, or MIDI

Backed by intensive R&D and latest innovations, the RE-202 faithfully delivers the authentic sound and behavior of the Space Echo like never before. Built by the company that designed the original, this advanced pedal captures the RE-201’s magic in flawless detail, from the magnetic tape and motor properties to the vibrant spring reverb and colorful preamp circuit. And to take things even further, they’ve expanded the vintage Space Echo experience with lots of new features tuned for today’s music.

Tape Echo Magic

Tape echo was the first delay effect and one of the first effect processors available for electronic musicians. In contrast with today’s CPU-based digital units, a tape echo is a simple machine that uses a motor to pull magnetic tape across one or more record/playback heads. Warm, full, and dynamic, the tape echo sound is influenced by many factors. The ever-changing input level colors the sound with varying amounts of tape saturation and compression. In addition, motor speed fluctuations, friction, wow and flutter, and other elements introduce an appealing modulated character that’s subtle and continually evolving.

RE-201 Space Echo: Simply Legendary

The RE-201 was a benchmark Roland product and one of the leading tape echo units of its era. It featured three evenly spaced heads that produced a wider range of echo effects than typical single-head designs, plus an innovative free-running tape system that provided superior performance with minimal tape wear. Grab-and-go controls enabled quick access to clean, single delays or various head combinations for dense, rhythmic echoes. A spring reverb tank was included too, making the RE-201 a one-stop shop for quality ambience effects. Last but not least, analog preamp circuitry was another key ingredient in the Space Echo’s rich sonic recipe.

A Masterpiece Reborn

Realized through the latest technologies and exhaustive analysis of several vintage RE-201s—including a pristine original unit from the BOSS and Roland factory archive—the RE-202 brings the complete Space Echo experience to life in a versatile modern pedal.

While previous BOSS designs captured the true sonic flavor and essential characteristics of the Space Echo, new advancements have allowed us to go much deeper than ever before. With the RE-202, BOSS engineers have fully reproduced all the complex, non-linear behaviors that contribute to the RE-201’s immortal character. Everything that influences the sound was carefully examined and recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, tape age, spring reverb character, and more.

Retro Sound at Your Fingertips

The RE-202 delivers the full vintage vibe of the RE-201—without the need for regular tape replacement and hardware maintenance. All the core controls of the original are here, including the iconic 12-position mode selector. Every behavior is replicated with complete accuracy, such as the gradual pitch change that occurs when the Repeat Rate knob is tweaked, or the cool runaway feedback that happens when the Intensity knob is maxed.

With selectable tape age and variable controls, you can dial in everything from a brand-new Space Echo to the worn character and quirks of a well-loved vintage piece. The Saturation control has been carefully calibrated based on the actual magnetic tape and preamp behaviors of the RE-201, with the sound becoming warmer and more compressed as you turn up the knob. And with the expressive Wow & Flutter control, you can conjure all the natural modulation characteristics that are essential to the Space Echo sound.

Sonic Enhancements

The RE-202 includes many new features that extend the Space Echo for today’s musicians. Twice the delay time is available, along with a fourth virtual tape head that unlocks five additional sound combinations. There’s also an echo type that changes the distance between the heads, something not possible with the original. In contrast with the mono RE-201, the RE-202 provides true stereo I/O and selectable operation for guitar or line-level devices. For the dry sound, you can choose between the warm and fat RE-201 preamp tone or a clean signal with zero processing.

Also included is a stereo version of the original spring reverb sound from the RE-201, along with hall, plate, room, and ambience types for additional versatility. Expressive Warp and Twist effects are available as well, allowing you to launch the sound into outer space with the press of a footswitch while performing.

SPECIFICATIONS

• Sampling Frequency: 48 kHz
• AD Conversion
• 24 bits + AF method
• AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD converter.
• DA Conversion: 32 bits
• Processing: 32-bit floating point
• Modes: 12 modes
• Memory: 127 + Manual
• Nominal Input Level - INPUT A/MONO, INPUT B: -10 dBu
• Maximum Input Level - INPUT A/MONO, INPUT B: +7 dBu
• Input Impedance - INPUT A/MONO, INPUT B: 1 M ohm
• Nominal Output Level - OUTPUT A/MONO, OUTPUT B: -10 dBu
• Maximum Output Level - OUTPUT A/MONO, OUTPUT B: +7 dBu
• Output Impedance - OUTPUT A/MONO, OUTPUT B: 1 k ohm
• Recommended Load Impedance - OUTPUT A/MONO, OUTPUT B: 10 k ohms or greater
• Bypass: Buffered bypass
• Controls
• ON/OFF switch, MEMORY switch, TAP switch
• SATURATION knob, WOW & FLUTTER knob, MODE SELECTOR knob, BASS knob, TREBLE knob, REVERB VOL knob, REPEAT RATE knob, INTENSITY knob, ECHO VOL knob
• MEMORY button, INPUT button, TAPE button
• Connectors
• INPUT A/MONO jack, INTPUT B jack, OUTPUT A/MONO jack, OUTPUT B jack: 1/4-inch phone type
• CTL 1, 2/EXP jack: 1/4-inch TRS phone type
• MIDI (IN, OUT) jacks: Stereo miniature phone type
• DC IN jack
• USB port: USB micro B-type (program update only)
• Power Supply: AC adaptor
• Current Draw: 140 mA
• Dimensions
• 192 (W) x 133 (D) x 52 (H) mm / 7-9/16 (W) x 5-15/64 (D) x 2-3/64 (H) inches
• 192 (W) x 133 (D) x 53 (H) mm / 7-9/16 (W) x 5-15/64 (D) x 2-3/32 (H) inches (including rubber foot)
• Weight (including battery)
• 860 g
• 1 lb 15 oz
• Accessories
• AC adaptor
• Owner's Manual
• Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
• Rubber foot

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